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Chicago Symphony Orchestra
Salonen Conducts Daphnis & Chloe
June 2-4, 2022
Overview
Hear how Greek and Roman mythology have captivated composers with tales of betrayal, love and heroism. In Daphnis and Chloe, Ravel uses ravishing orchestral colors and a wordless chorus to depict this pastoral romance. Salonen finds inspiration in the epic struggles of the twin half-brothers Castor and Pollux, depicted in his two-piece orchestral composition, Gemini. Opening the program is Caroline Shaw’s Entr’acte, a refreshing blend of traditional harmony and contrasting dissonance inspired by Haydn’s String Quartet Op. 77, No. 2.
Ticket holders are invited to a free preconcert conversation featuring Derek Matson in Orchestra Hall 75 minutes before the performance. The conversation will last approximately 30 minutes. No additional tickets required.
Program
Shaw
Entr’acte
Salonen
Gemini
Ravel
Daphnis and Chloe
Performers
Sponsors & Partners
Official Airline of the CSO
The appearance of the Chicago Symphony Chorus has been made possible by a generous gift from The Grainger Foundation, with additional support from Jim† and Kay Mabie.
The June 3rd performance is made possible by a generous endowment gift through the Frank Family Fund.
Discover more on Experience CSO
Returning to the CSO after a four-year absence, Esa-Pekka Salonen feels "very close to the orchestra. We have a very good rapport musically and on a personal level. It’s a developing relationship, which makes it even more enjoyable."
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Esa-Pekka Salonen shares his thoughts about his work "Gemini" (2019) and its two constituent parts, Castor and Pollux, named after the twin half-brothers of mythology.
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Throughout this season, the Chicago Symphony Orchestra has performed some of the most celebrated ballet scores ever composed. Later this spring, the CSO will offer Stravinsky’s "The Firebird" and Ravel’s "Daphnis and Chloe."
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Of her writing style, Pulitzer Prize-winning composer Caroline Shaw observes, “I like to dive into the genre, the form of the thing as it used to be, and then stretch it from the inside.”
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The Chicago Symphony Chorus takes center stage in two gorgeous French works from the 20th century, Poulenc's Gloria and Ravel's Daphnis et Chloe.
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Esa-Pekka Salonen opted for San Francisco because it's the kind of city where he could continue his signature experiments with music and technology. “It wouldn’t mean a 180-degree turn in terms of the orchestra culture.”
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Margaret Hillis: Unsung Pioneer
Conductor, airplane pilot, educator, activist — Margaret Hillis was a pioneer in American choral music and on the Chicago classical music scene. The first woman to regularly conduct a major symphony orchestra, she was the founder of the Chicago Symphony Chorus and served for 37 years as its first director. Now, for the first time, Margaret Hillis’ extraordinary life and trailblazing career can be explored by readers worldwide in Margaret Hillis: Unsung Pioneer, penned by CSC Associate Director Cheryl Frazes Hill.
Available at the Symphony Store